What compels me is a tenderness toward impermanence—a belief that we live with a collective fragility. It’s a knowing shaped by years of caring for animals, working the land, and witnessing my father slowly disappear into Alzheimer’s. These experiences left an enduring imprint on my work, defining a central theme: a call to witness and question. Absence, tenderness, and attentive observation remain at the heart of my process. Grief taught me to listen. Art answered.

My practice moves between water and studio—the dreamlike fluidity of submerged worlds and the meditative rituals of collecting. Bones, feathers, snakeskin, seeds, and forgotten things become collaborators in my process. Guided by curiosity and attunement, I use these elements not as props, but as carriers of memory—releasing and reclaiming the symbolic traces of life’s ephemerality.

I’m drawn to materials that speak in whispers—gold and silver leaf, encaustic, cyanotype, and stitching. I often print on vintage paper, where the delicate textures and traces of the written word alter the narrative. These layered originals are the impressions of a witness to the sublime and sensual truths that live just beneath the surface.

One-of-a-kinds from this evolving practice are quietly offered in Originals.

Projects holds space for where it alll begins..